Behringer MONOPOLY Analog Polyphonic Synth Cello Parts DISCRETE OUTPUT STAGE & ANALOGUE

DISCRETE OUTPUT STAGE & ANALOGUE DESIGN At the heart of the Crush Bass 100 is its 100 Watt output stage

It pairs well with the Jazz or ’59 neck models

This enables the convenience of the Strat arming while maintaining the performance and feel of the Mustang

Available in standard humbucker or Trembucker spacing

Tom Scholz

Behringer MONOPOLY Analog Polyphonic Synth Cello Parts DISCRETE OUTPUT STAGE & ANALOGUEMONOPOLY The 1980s was an amazing decade for electronic music. Artists like Vince Clarke and bands like Depeche Mode have used synthesizers to great effect, creating hits such as Just Cant Get Enough and People are People. What synthesizer could they have used, you might ask? It was none other than the MonoPoly synth, which was only available for 3 years before it was taken off the shelves and has become a true collectors item. Today, were bringing