Every Single One of Them OOP depending on how we were

depending on how we were known and loved

In this body of work the artist essays loss and its attendant ghosts

gaps and proximities

The cyanotypes reproduced in Mississippi Blue come from an album of photographs taken by Henry P

all of which he considered self-portraits

Every Single One of Them OOP depending on how we wereIn the interstices between film and photography, ad stereotypes, and clichs of a Californian paradise, Jack Pierson produces pictures that are deliberately sensual and sentimental. Through a subtle hybridization of genres they raise the central question of autobiographical sincerity as the works theme and site. By arresting intimate moments, they compose a familiar, private world, happy and nostalgic. By disclosing (or pretending to disclose)